Reviews
Local theatre productions and exhibitions.
random by debbie tucker green is the first production in the Royal Court's Theatre Local season at the Elephant & Castle Shopping Centre.
This exhibition has plenty to offer on so many levels: it will appeal to the food enthusiast as well as those with an eye for design or an interest in art.
This year's most innovative designs from architecture to fashion and interactive design to furniture have gone on display at the Design Museum.
When Brendan Behan's play The Hostage transferred from Dublin to London in 1958, he had to translate it from the original Gaelic.
The first exhibition in Britain devoted to pivotal Dutch artist Theo van Doesburg (1883-1931) has opened at Tate Modern.
Last performed in 1986, this play leaves you feeling that perhaps little has progressed since then.
This is, for sure, one of those Old Vic productions which you will remember occasionally but without the enthusiasm and excitement which first greeted this play twenty years ago.
While Israelis are taught that 1948 is the date of their victorious independence, Palestinian history teachers describe it as "al nakba", "the catastrophe".
Ellie Jones's promenade production of A Christmas Carol, adapted by Neil Bartlett from Charles Dickens' text, is a delight.
It's no surprise that Belt Up Theatre's current double-bill at the Southwark Playhouse had a sell-out run at this year's Edinburgh Fringe Festival.
Ed Ruscha's retrospective is the largest UK survey of his work in America over five decades from Pop Art to paintings of words and landscapes.
With the SE1 postal district being among the worst hit by the current strikes it is fascinating to be able to have a reminder of the great days of the Post Office.
Last night's insistent rain oppressed London. But theatregoers were not deterred from stepping through the drizzle and into what is fast becoming the hottest seat in town: Trevor Nunn's magnificent production of Inherit the Wind at the Old Vic.
Tate Modern's controversial look at the legacy of pop art includes former Waterloo resident Tracey Emin among selected artists.
An interactive reworking of Aeschylus’ tragic revenge cycle for a contemporary audience.
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